Man's Folly In Act 1

Improved Essays
Man's Folly

Shakespeare keenly describes the paradigm of English rule during the middle ages up to the renaissance. John of Gaunt describes England as a garden, this I believe was a statement that was directed toward the monarchy and the current "status" of the king, having soiled the kingship of many kings before him. The great folly of man has always been him seeing himself as "God" on earth, and thusly acting in the, "interest of God", when in reality he is justifying his own gain by these means.
John of Gaunt in Scene 2, Act 1, speaks of England by saying in part, …"This blessed plot, this earth, this England, this nurse, this teeming womb of royal kings, Feared by their breed and famous by their birth," … (Act 2, Scene 1, lines 50-52) We can see Shakespeare using imagery of the garden spoken of by Gaunt, much as a garden needs to be planted, tended and nurtured, the growth and self-sustaining nature that was the ideal monarchy in England needed to be cultivated through careful planning, defense, conquest, and compassion for the common folk of the land. It is through the folly of King Richard II in this scene that we see that the garden that Gaunt describes is being neither tended, nor nurtured by used to ill-gotten gain. The tragedy of Richard II seems to be his hubris, as was illustrated by his statement in response to Gaunt's speech after his exit, "A lunatic lean witted fool, presuming on an arguments privilege, darest with thy frozen admonition." (Act 2 scene 1, Line 115-17) Thus, was a common state of the monarchy of his day, elevating themselves to the heights of God, and not considering His will or the will or need of the people. Act 3 finds a gardener and his two men speaking near the presence of the queen and her ladies in waiting of England again as a garden saying: "When our sea walled garden, the whole land, is full of weeds, her fairest flowers choked up, her fruit trees all unpruned, her hedges ruined, her knots disordered and her wholesome herbs, Swarming with caterpillars?"(Scene 4 Line 43-7). My understanding of the context in which these words were spoken, I believe that the weeds were the monarchs and their courts, and the conflict they perpetuated during their collective reign, speaking most directly about Richard II. We are seeing the beginning of the dissention and the deposition of Richard II, all due to the carelessness of his conquest, and the spending or use of resources, and his subjects. In Act 4 scene one we see Bolingbroke, and others adjourning a tribunal of sorts to place King Richard II
…show more content…
Carlisle, in this case demonstrating extraordinary loyalty to his king even if he knew the king was wrong spoke of King Richard as the anointed of God and spoke: "...And if you crown him, let me Prophesy: the blood of England shall manure the ground, (4.1.137-39), then goes on a bit later to say, " … the field of Golgotha and dead man's skulls, Oh, if you raise this house against this house, it will the woefullest division prove, that ever fell upon this cursed Earth."(4.1.145-48). Proving that while it is noted that Richard was certainly an inapt leader and Bolingbroke may have been a better leader politically, Carlisle saw this move as an affront to God and was attempting to warn against

Related Documents

  • Superior Essays

    This idea is conveyed in act 1 scene 3 when Hotspur talks to King Henry about Mortimers capture. Shakespeare represents King Henry…

    • 1359 Words
    • 6 Pages
    Superior Essays
  • Decent Essays

    The end of Act II in Romeo and Juliet is particularly influential in the rest of the play. The events that transpire in the subsequent scenes will impinge the lives of both Romeo and Juliet, along with their corresponding households. To begin Scene 5, Juliet is anxiously waiting at her family’s garden in anticipation for the Nurse to return with a message from Romeo. When the Nurse returns, Juliet and she have a lengthy dialogue concerning her plans for marriage with Romeo. At the conclusion of the dialogue between the two, Juliet is told to meet Romeo at Friar Lawrence’s cell so they can be married.…

    • 170 Words
    • 1 Pages
    Decent Essays
  • Great Essays

    As times change, values and ideas often change as they are invariably shaped by their context. However, some remain constant throughout time and are universal. The 1592 Shakespearean drama Richard III and Al Pacino 's 1995 docu-drama Looking for Richard [LFR] were written four hundred years apart yet both texts address perpetual values and ideas that are common to both eras. Through a simultaneous study of both texts, the responder is able to understand the influence of context on aspects of the human condition such as the adverse effects of lust for power and appearance and reality. Richard III is heavily influenced by Elizabethan principles and in Pacino 's response to the increasingly secular and modern American context he effectively refashions…

    • 1129 Words
    • 5 Pages
    Great Essays
  • Great Essays

    The people of England were facing a future of uncertainty and were wondering what their future king would be like. James, a young and ambitious man, eager for the English throne, but held back by Elizabeth’s reluctance to name him as her heir (De Lisle, 367). This unfulfilled ambition for a crown believed to be rightfully his own is shared with Hamlet, to which Rosencrantz remarks that “your ambition makes it one [Denmark as a prison] tis’ too narrow for your mind” (2.2.252-253). Arguably, Shakespeare is using the play to speculate over what would happen when James arrived in England from his ‘prison’ in Scotland.…

    • 2238 Words
    • 9 Pages
    Great Essays
  • Improved Essays

    Buckingham’s Desire for Revolution Shakespear wrote many plays during his lifetime, but possibly none as complex and busy as Richard III. It is a complex play where many different characters are portrayed in many different roles. One of those characters is Buckingham, a villain and the right-hand man for Richard for the majority of the play. Over and over again he proved himself to be a rebel in almost every scene he was portrayed in. As a rebel he fought as a revolutionist, desiring change.…

    • 985 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Pacino assumes creative licensing in adapting his film ‘Looking for Richard’ to an audience unappreciative of Shakespeare’s craft. In creating his docu-drama for a 20th century audience, Pacino transcends the confines of the Elizabethan era, hence allowing Shakespeare’s Richard III to prove more accessible and relevant to a contemporary audience. Through creative reshaping, Pacino vivaciously expresses the values intrinsically connected to both periods, teetering on previous concepts whilst entering a unique approach to them. In grasping a clear intertextual connection, the audience seamlessly witness Pacino’s attempt to reshape Shakespeare’s expression of the human self, deeply extricating the utmost importance of understanding one’s actions.…

    • 1002 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Power is like a knife. A knife in proper hands can create pieces of culinary art, however, a knife in cruel hands only creates destruction. Power is misused in Aldous Huxley’s Brave New World and William Shakespeare’s Richard III and both literary works demonstrate the same consequences. Power destroys morality within the abuser and society. This exploitation of power will also lead to discontentment among the people.…

    • 1063 Words
    • 5 Pages
    Improved Essays
  • Superior Essays

    Such an attempt to veil political motivations can be seen in the Royal Shakespeare Company’s (RSC) interpretation of Act 2, Scene 4, directed by Gregory Doran. Doran’s representation of this scene serves to present a dramatic, visual performance, but also to demonstrate his shared perspective of Shakespeare’s political views. The characterisation of Falstaff as a static character is a foil to King Henry, where the juxtaposition is apparent between the honourable and utilitarian yet politically ambiguous figures, versus the vulgar yet honest ‘human’. Moreover, Falstaff satirises King Henry IV’s legitimacy and how he presents himself, as he says, “Give me a cup of sack to make my eyes look red, that it may be thought I have wept, for I must speak in passion...”, the motif of ‘sack’ being associated with irresponsibility and frivolity as a result of Falstaff’s characterisation. Furthermore, Falstaff continues the meta-play, satirising the King’s way of speech through his role-playing: “I do not speak to thee in drink, but in tears; not in pleasure, but in passion; not in words only, but in woes also”.…

    • 1513 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    Wollstonecraft And Burke

    • 793 Words
    • 4 Pages

    Inadequate in explaining the claim of this practice, his only reason becomes: it is natural to be affected by the power of the kings and parliaments, and “all other feelings are false and spurious, and tend to corrupt our minds, to vitiate our primary morals, to render unfit for rational liberty. ”(4). Wollstonecraft’s responds mockingly, arguing that she “reverence[s] the rights of men. […] and Fear[s] God!”…

    • 793 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Some people may agree with this statement because of Richard’s ransom. The ransom showed how careless Richard was as king because of his failed attempts to disguise himself as a pilgrim. He had too much confidence in himself and wasn’t very self-aware, so thought that he would be able to get along by vaguely disguising himself but not really putting in enough effort so that it was almost certain that he wouldn’t get captured. His capture put England in a perilous situation concerning money, because of the ransom needed for his release. The amount was so high that it had taken 6 months for the people of England to raise enough money for him to be released.…

    • 922 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Both influenced by their respective contexts, Shakespeare and Pacino convey conflicting portrayal for Richard’s downfall. In Shakespeare’s medieval period the concept of ‘Divine Rights of Kings” were widely accepted; it is a sin to revolt against god’s anointed deputy on Earth and would bring destruction upon themselves. In his opening soliloquy “I am determined to prove villain”, Richard is revealed to be orchestrating his own fate through the tenacious tone. However the fact that the fate that he has chosen is a ‘villain’ is ironic as it manifests that he will ultimately fail. Furthermore, Shakespeare's use of spirits to haunt Richard with the juxtaposition “despair and die” and “live and flourish” relate strongly to the Elizabethan audience…

    • 257 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Human injustice appears in the texts vividly. Human injustice cut across actions of treatment by those in power, leadership or authority. For instance, Richard’s aggression for the power leads to human injustice. He plans on the murder of his family. It is an injustice that Richard’s plans execution for his brother, nieces and wife (Lowers, 1997).…

    • 489 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Throughout history, Richard III has been described as the most cruel of kings. Shakespeare’s famous play about said king has largely contributed to this image; the murderer of a big part of his family, kids even, people who cared about him. That might be the most bizarre thing: how Richard found it in his heart to do such horrifying things. For some reason, that family bond meant less to him than becoming king, the most powerful of all. But we should ask ourselves, was Richard his own maker or was he shaped by his situation?…

    • 367 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Richard III Villain

    • 1639 Words
    • 7 Pages

    The Tragedy of Richard III was based on the true life king who ruled 1483 to 1485, just two short years. Richard III was no doubt a really bad guy. He was a murderer, a tyrant, a hypocrite, and a traitor. Shakespeare presents Richard in an extremely negative way throughout the entire play. He was shown as an evil person; who was fascinated with the control that only being the king could have brought him, and he would have taken any risk that was needed to become the King.…

    • 1639 Words
    • 7 Pages
    Improved Essays
  • Superior Essays

    Praise Of Folly Analysis

    • 1593 Words
    • 7 Pages

    By the late Middle Ages the Catholic Church had become the most powerful organization in the western world. More powerful than the government, the Church insisted that its clergy were not subject to the laws of secular kings, and thus could only be tried by the Church. Furthermore, the clergy went as far to sell indulgences to wealthy individuals, guaranteeing them remission of time in Purgatory. In contrast to Medieval times, the Renaissance was a period of questioning and discovery. People started to think independently and experiment with new ideas and concepts.…

    • 1593 Words
    • 7 Pages
    Superior Essays