This is exemplified in his use of oil paints. As a result, Miguel Cabrera was able to paint in a variety of textures and he provided another level of sensory awareness to viewers. An individual can clearly distinguish the velvet on the chair, the satin robe and underskirt, leather gloves, and lace-lined shirt. Color is an important factor in this painting as well. The dark background is highlighted by the rich colored walls and the curtain provides a direct contrast to the bright color red. This contrast helps viewers ' eyes to focus on the figure of Manuel Joseph Rubio y Salinas. Red is not only a crucial color for Spain, but it also represents the archbishop 's ecclesiastical position. A painting analogous to this work that Miguel Cabrera might have been influenced by was Pierre Subleyras ' Pope Benedict XIV (Fig. 2). It features a similar composition to Cabrera 's painting, and it was completed in 1745 in Italy. Moreover, this similarity displays a common pattern for this type of subject matter, and a model for artists to employ when displaying figures with ecclesiastical
This is exemplified in his use of oil paints. As a result, Miguel Cabrera was able to paint in a variety of textures and he provided another level of sensory awareness to viewers. An individual can clearly distinguish the velvet on the chair, the satin robe and underskirt, leather gloves, and lace-lined shirt. Color is an important factor in this painting as well. The dark background is highlighted by the rich colored walls and the curtain provides a direct contrast to the bright color red. This contrast helps viewers ' eyes to focus on the figure of Manuel Joseph Rubio y Salinas. Red is not only a crucial color for Spain, but it also represents the archbishop 's ecclesiastical position. A painting analogous to this work that Miguel Cabrera might have been influenced by was Pierre Subleyras ' Pope Benedict XIV (Fig. 2). It features a similar composition to Cabrera 's painting, and it was completed in 1745 in Italy. Moreover, this similarity displays a common pattern for this type of subject matter, and a model for artists to employ when displaying figures with ecclesiastical