Instead of gently guiding the viewer through exploring the movement and impact it has had on modern day feminist art, the women being interviewed in the film become confrontational about how their impact has “been forgotten” in favor of the white male artist throughout history. Taking this approach of personal interviews creates an unintentional negative bias between the filmmaker and audience that works towards alienating the audience from the filmmaker’s…
Due to this active painting, we are able to see the contemplation that this woman has, once again establishing this idea of validation over objectification. This painting is not only a work of art but a social…
“Reconsidering the Stain on Gender and the Body in Frankenthaler’s Painting” written by art historian Lisa Saltzman, discusses the dissolution of boundaries between gender categories throughout post World War 2 America. Saltzman’s central argument focuses on America’s patriarchal society and their necessity to restore hierarchy and social order when faced with the potential shift in power with the rise of influence of the female gender. In this article Saltzman uses Frankenthaler’s painterly process “the stain” as the backbone for her central argument, as Frankenthaler had an unique disposition (in art historic purposes) for being the catalyst in the construction of male and female bodies. The stain being the area of focus was dismissed with…
There is so much more to this piece than I’ve even hinted at. The piece indeed disrupts the canon and complements our class, but I argue it is worthy of inclusion because it raises questions: If a piece of art is so unusual/remarkable/original, can it transcend the forces which marginalize its artist and societal barriers which hold its artist back from fame? Why do we analyze all women artists and their art within the context of feminism? What kind of pressure does identifying as a feminist or woman artist place onto the artist and the art itself? How does the relatability of a piece determine its success?…
While they are often thought of in romanticized nostalgic ways, especially by white people, the 1920s and 30s were an incredibly volatile time for race relations in America – mainly as a result of the movement known as the Harlem Renaissance. Stretching from the end of World War I to somewhere around 1937, the Harlem Renaissance was categorized largely by the attempt on part of African American – or “Negro” – artists to reassert themselves “apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other” (Hutchinson, Introduction). Therefore, one of the main issues for people living in the Harlem Renaissance was whether or not there was actually a tangible difference between art made by people of various races. George S. Schuyler’s piece “The Negro Art Hokum” can be seen as a direct response to this question – one that would have been extremely controversial at the time. As Robin Wiegman points out in her essay “Visual Modernity,” “the visible has a long, contested, and highly contradictory role as the primary vehicle for making race “real” in the United States” (21).…
After during my research on History of African American Art in United States, the term African American Art is a broad term describing the ethnic of a group of American with partial or total ancestry from any black racial group of Africa who can express their creative skill and imagination in a visual form such as sculpture and painting to appreciate their beauty and emotional power. African American Artist plays an important role in the art history by sharing the historic events and as an individual through a cultural perspective and their experience and struggles of minorities through their artwork. Artist such as Jean-Michel Basquiat, Augusta Savage, Kara Walker, Harriet Power, Jacob Lawrence, Henry Ossawa Tanner, William H. Johnson and…
Theme: The nature of discrimination. This painting depicts the prejudce and hateful attitude Mr. Trump has towards most women and other cultures such as the Latinos and Muslims of America. Tone: Mocking. This poster mocks the attitude of Donald Trumps as evidenced by the words “Loser”.…
Without the arts being funded during this time, than these sad people would have never found their escape. When talking about more equal pay in the working place it is stated that because of the W.P.A.,“professional women were treated more equally to men, especially in the federal arts, music, theater and writers’ projects” (“The Works”). This is an example of the beginning of the women’s suffrage movement, where women realize they had the potential and a voice, similar to those who were oppressed because of their race. The arts were able to bring together the sexist views and were able to place men and women in the same playing field for that time. This idea is proven to be ahead of their time.…
Freedom of Expression When we look at Veronese’s painting, Feast in the House of Levi we see a lot going on. From scruffy dogs, man picking their teeth, men dressed in foreign soldier uniforms to midgets and drunks, (PG 673). Which caused an uproar in people’s opinions. Many were simply offended that he chose to make such a spectacle of this religious, holy, and iconic scene of history (PG 673). While others did not feel the ungodly and wicked surroundings around Jesus were justified and right, (PG 673).This was a religious work of art, so going in Veronese must have known in his time that depictions such as these would get him into trouble. Yet, it did not stop him.…
Analysis of Langston Hughes’s “The Negro Artist and the Racial Mountain” Langston Hughes’s essay, “The Negro and the Racial Mountain” explores the “Negro artist,” in which Hughes points out that the “Negro Artist” wishes to be more like white people. Hughes argues that African-American artists don’t know how to express themselves using their own culture, because they believe white people and even black people will not accept their artwork. In the essay, “The Negro Artist and the Racial Mountain” Hughes shows how a black artist will face disapproval of their artwork from both their own people and the white majority.…
The feminist art movement emerged around the late 1960s. Feminist artists sought after a different world and wanted to change it with their art. The feminist art movement changed woman stereotypes and influenced cultural outlooks. They combined multiple aspects and various medias such as: video art, conceptual art and body art. Feminist artists also opened doors and created opportunities that did not previously exist to minorities and woman artists.…
Germany after the Grate War was devastated. They were blamed for the war and had to sign the Peace Treaty of Versailles in 1919. The French wanted protection and repayments for what they suffered and so did England, USA and Italy. Many historians knew that this unfair treaty could produce another war yet as we know no one listened. Germany paid off their Versailles debt in 2010 and still managed to be one of the strongest countries in Europa as of today.…
While there’s no limit to the number of pages one could write on Jenny Saville and Branded, no limit to the conversations and theories it could spark, my conclusion is simple. Saville created a painting that grabs your attention, forces a strong and often conflicted reaction within you, and makes you think. It’s a catalyst to challenge, and perhaps even change your preconceptions, both in regard to your own views and the views we are fed by an ever-patriarchal society. These are paintings that are contemporary, relevant, controversial and undeniably very much…
Human beings always have had an innate ability to imagine and create that what lies beyond just a primal, basic understanding of the world around them. It is this nature that overflows with ingenuity and vision that begs to be conveyed through something that has existed since the dawn of humanity. Artistic expression is an undeniable epicenter of the human identity. The arts are such a rooted part of the human identity that every society, culture, civilization, and group emulates some form of it, from pottery in Ancient Egypt to Shakespearean plays in 18th Century England. With this in mind, philosophers have attempted to answer throughout history the burning questions pertaining to this need and appreciation for the arts, to explain what stimulates…
“This had a positive and impactful influence on the society. “Now labor classes were able to obtain art and it wasn’t just targeted towards one group of class” (Horth 3). The belief that was carried throughout this era was that art was for everyone. They had even changed the society’s views of the labor classes by making little houses for them. Some artist had even created furniture for the labor class.…