Alexander Mikhailovioh Rodchemko
Rodchenko was inspired by Art Nouveau & artists like Aubrey Beardsley. Later he became a Futurism & he absorted the work of Vladimir Tatlin & Suprematism of Kazimir Malevich. At the end of the decade, he begin to explore Constructivism. This study analysis into the aspect of illustration & sculptural art. Altogether to produce abstruct artworks to separate out the factores of each image: line, form, space, colour surface & texture. Contructivism began to support new target on the material aspect of art & its tempory experiments were inspired that art had to match the change which was then taking place in Russion politios socity.
Due to the Revolution it encouraged Rodcheko to abandon paintings in 1921. Instead, he concentrated on creating …show more content…
They strated illustrating some of their books and magazines for progressive Soviet writers such as LEF and NOVYI LEF. Then Joseph Stalin came to power & by the middle of the 1930s quashed all forms of free-spirited avant-garde aesthetic & Rodchenko fell out of grace with the Communist Party. Rodchenko's paintings and designs were publicly condemned by the authorities for alleged "formalism."
Rodchenko then passed to photojournalism. His photographic images illustrated the era of High Stalinism by showing extravagant parades, the definitive change of agriculture. Through his photos, he also showed the huge industrial expansion taking place but was not allowed to capture the . Naturally, Rodchenko was explicitly forbidden to capture the dreadful human sacrifice. Although he conituned to work as a photographer through the Stalin years, he returned to painting in 1940s, producing a number of powerful abstract designs which opposed the officially permitted aesthetics, until his death in
Rodchenko was inspired by Art Nouveau & artists like Aubrey Beardsley. Later he became a Futurism & he absorted the work of Vladimir Tatlin & Suprematism of Kazimir Malevich. At the end of the decade, he begin to explore Constructivism. This study analysis into the aspect of illustration & sculptural art. Altogether to produce abstruct artworks to separate out the factores of each image: line, form, space, colour surface & texture. Contructivism began to support new target on the material aspect of art & its tempory experiments were inspired that art had to match the change which was then taking place in Russion politios socity.
Due to the Revolution it encouraged Rodcheko to abandon paintings in 1921. Instead, he concentrated on creating …show more content…
They strated illustrating some of their books and magazines for progressive Soviet writers such as LEF and NOVYI LEF. Then Joseph Stalin came to power & by the middle of the 1930s quashed all forms of free-spirited avant-garde aesthetic & Rodchenko fell out of grace with the Communist Party. Rodchenko's paintings and designs were publicly condemned by the authorities for alleged "formalism."
Rodchenko then passed to photojournalism. His photographic images illustrated the era of High Stalinism by showing extravagant parades, the definitive change of agriculture. Through his photos, he also showed the huge industrial expansion taking place but was not allowed to capture the . Naturally, Rodchenko was explicitly forbidden to capture the dreadful human sacrifice. Although he conituned to work as a photographer through the Stalin years, he returned to painting in 1940s, producing a number of powerful abstract designs which opposed the officially permitted aesthetics, until his death in