Emphasized through Simon and Garfunkel’s “Sound of Silence,” extending over three octaves in range of a Major 24 (C² - B⁵), this musical progression has the tendency to highlight lyrical progression through harmonization rather than extensive melody and chord sequences stereotypical of classic 1960’s rock genre. As this predisposition allows for the amalgamation of a diatonic melody, the incorporation of ascending and descending passages, and a typical representation of conjunct intervals; the diverse incorporation of manipulated melodic elements throughout the composition, is symbolic of musical maestro’s instrumental dimension rather than significant musical arrangement to convey
Emphasized through Simon and Garfunkel’s “Sound of Silence,” extending over three octaves in range of a Major 24 (C² - B⁵), this musical progression has the tendency to highlight lyrical progression through harmonization rather than extensive melody and chord sequences stereotypical of classic 1960’s rock genre. As this predisposition allows for the amalgamation of a diatonic melody, the incorporation of ascending and descending passages, and a typical representation of conjunct intervals; the diverse incorporation of manipulated melodic elements throughout the composition, is symbolic of musical maestro’s instrumental dimension rather than significant musical arrangement to convey