Thusly, Viola spoke with the captain of the ship and found out about a Countess who lived nearby named Olivia, who had also just lost her father and brother, respectively. Viola then made it her goal to work for this Countess, but unfortunately she was in mourning and was not seeing anyone. Nevertheless, Viola formed a plan. The Duke Orsino lived nearby and he was trying to court Olivia. Viola figured if she could be a eunuch for the Duke and get to Olivia through him. Thus, she disguises herself as a man, calls herself Cesario, and goes to work for the Duke. Almost immediately she falls for the Duke, but that presents a problem. Viola is to court the Countess Olivia, but she would rather he court her. The second side to this conflict is Olivia falls in love with Viola’s alter ego, Cesario. In Twelfth Night, William Shakespeare develops conflicts, both internal and external, between Viola and herself, the Duke and Olivia, and Olivia and Viola, in order to empathize that in
Thusly, Viola spoke with the captain of the ship and found out about a Countess who lived nearby named Olivia, who had also just lost her father and brother, respectively. Viola then made it her goal to work for this Countess, but unfortunately she was in mourning and was not seeing anyone. Nevertheless, Viola formed a plan. The Duke Orsino lived nearby and he was trying to court Olivia. Viola figured if she could be a eunuch for the Duke and get to Olivia through him. Thus, she disguises herself as a man, calls herself Cesario, and goes to work for the Duke. Almost immediately she falls for the Duke, but that presents a problem. Viola is to court the Countess Olivia, but she would rather he court her. The second side to this conflict is Olivia falls in love with Viola’s alter ego, Cesario. In Twelfth Night, William Shakespeare develops conflicts, both internal and external, between Viola and herself, the Duke and Olivia, and Olivia and Viola, in order to empathize that in