It can be difficult to find those moments, when there is a deadline, but the most important thing in this situation is to not become frustrated. Figure out what parts are not coming as easily and look for a deeper meaning or the purpose behind it that makes it so vital to the show. Also take a bit of time to let the character listen and discover every step of the show as if it were happening for the first time. This can be an integral part of stage combat. If the fight looks rehearsed and there is no intention behind it then the audience will have a hard time believing that the scene is real. That being said, once objectives, discoveries, and other elements have become part of the scene be careful not to make them noticeable and if the director does not like the choice be open to change. Once everything has started to settle in it can be difficult to accept change, but as a performer this is something that happens all the time. A part of the scene might look or sound good in rehearsal, but be terrible on stage. Hopefully, there won’t be a major change, but even if there is be the problem solver not the complainer. For stage combat this might mean there has been a change in the size or weight in the weaponry, so maybe there just needs to be some extra time to practice and get used to them. Whatever the change, there is always a solution, but there is never an appropriate time to complain. IF there is something dangerous or confusing about the change talk to the director or the stage manager about the issue and
It can be difficult to find those moments, when there is a deadline, but the most important thing in this situation is to not become frustrated. Figure out what parts are not coming as easily and look for a deeper meaning or the purpose behind it that makes it so vital to the show. Also take a bit of time to let the character listen and discover every step of the show as if it were happening for the first time. This can be an integral part of stage combat. If the fight looks rehearsed and there is no intention behind it then the audience will have a hard time believing that the scene is real. That being said, once objectives, discoveries, and other elements have become part of the scene be careful not to make them noticeable and if the director does not like the choice be open to change. Once everything has started to settle in it can be difficult to accept change, but as a performer this is something that happens all the time. A part of the scene might look or sound good in rehearsal, but be terrible on stage. Hopefully, there won’t be a major change, but even if there is be the problem solver not the complainer. For stage combat this might mean there has been a change in the size or weight in the weaponry, so maybe there just needs to be some extra time to practice and get used to them. Whatever the change, there is always a solution, but there is never an appropriate time to complain. IF there is something dangerous or confusing about the change talk to the director or the stage manager about the issue and