As commonly known, lightning (specifically the lightening bolt) is a heavily associated symbol within the Harry Potter franchise. Upon first seeing the small flicker of light behind the Warner Brothers logo, viewers automatically link the image with lightening, accompanied with the presumed sound effect of thunder, however this is not the case. It is not until the camera zooms further into the clouds as they transition into a close up of Harry’s eye, that the audience can associate the visuals with camera flashes instead of lighting and thunder. The similarity in these two sound effects is so great that it acted as the perfect opportunity of dramatic transition to Harry’s world. They could also serve as an extra diegetic sound that Harry can physically hear, but it could also serve as an internal diegetic sound, reflecting events in his life that are similar to a thunderstorm, or even a metaphorical way of mimicking his unstable state through an uneven heart beat. In any case, these sounds enlarge the diegetic space through mirroring reality, creating a more realistic story. However, in an emotional sense, the types of diegetic sound effects used don’t always determine the impact that they have on the viewer or the intensity of the scene (Percheron and Butzel, 1980). Hence, for this particular clip, the non-diegetic sounds can be considered more emotionally demanding to the
As commonly known, lightning (specifically the lightening bolt) is a heavily associated symbol within the Harry Potter franchise. Upon first seeing the small flicker of light behind the Warner Brothers logo, viewers automatically link the image with lightening, accompanied with the presumed sound effect of thunder, however this is not the case. It is not until the camera zooms further into the clouds as they transition into a close up of Harry’s eye, that the audience can associate the visuals with camera flashes instead of lighting and thunder. The similarity in these two sound effects is so great that it acted as the perfect opportunity of dramatic transition to Harry’s world. They could also serve as an extra diegetic sound that Harry can physically hear, but it could also serve as an internal diegetic sound, reflecting events in his life that are similar to a thunderstorm, or even a metaphorical way of mimicking his unstable state through an uneven heart beat. In any case, these sounds enlarge the diegetic space through mirroring reality, creating a more realistic story. However, in an emotional sense, the types of diegetic sound effects used don’t always determine the impact that they have on the viewer or the intensity of the scene (Percheron and Butzel, 1980). Hence, for this particular clip, the non-diegetic sounds can be considered more emotionally demanding to the