Tim Burton’s style is recognizable all over the world when it comes to many of his films. His films inlighten and reflect Tim Burtons personality.”One person's crazyness is another person's reality.” Growing up in Burbank California Tim Burton spend most of his childhood drawing cartoons, reading books and watching horror movies until 1979 the short film stalk of the celery monster led to getting an apprenticeship at disney. Tim Burton is a well-known American film director that has created dozens of brilliant dark and mysterious movies, with well known techniques of colour, cinematography and Two of his most famous films include Edward Scissorhands in 1990 and IN 2005 Charlie and the Chocolate Factory both sharing the same style
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This increases the excitement and anticipation to what might be inside. By having the really small door the audience don't expect much to be inside, we as an audience have no idea what might happen. As the director Tim Burton zooms in towards the door, it swings open and he switches over to a boom/crane view of the room. By using an overhead shot the whole room is shown. Tim burton has done this too demonstrates the beauty of the chocolate room. This affects the audience as they can see the chocolate waterfall and all the other impossible aspects of the fantastic room, like edible grass. The audience is presented with a high angle shot right next to the chocolate waterfall, looking down at the characters who are crossing an arched bridge made of edible grass as you can see from the picture below. Closely following this, there is a low angle shot as if taken from within the grass, highlighting the bright color and intensifying its mystery. These are prime examples of how Burton uses cinematic techniques to decide where he wants the audience to be looking at the mysterious and wonderful treats in this room. A high angle shot allows the audience to see all context and setting at the same time, it means that everything is shown all at once, the effect this has on the audience is that Tim Burton wanted to show the children how amazing the chocolate factory is and that not everything is what it is seems to be. In the picture the high angle shot allows the audience to see how big the boat is as well as the chocolate river around them, as well as the space around
This increases the excitement and anticipation to what might be inside. By having the really small door the audience don't expect much to be inside, we as an audience have no idea what might happen. As the director Tim Burton zooms in towards the door, it swings open and he switches over to a boom/crane view of the room. By using an overhead shot the whole room is shown. Tim burton has done this too demonstrates the beauty of the chocolate room. This affects the audience as they can see the chocolate waterfall and all the other impossible aspects of the fantastic room, like edible grass. The audience is presented with a high angle shot right next to the chocolate waterfall, looking down at the characters who are crossing an arched bridge made of edible grass as you can see from the picture below. Closely following this, there is a low angle shot as if taken from within the grass, highlighting the bright color and intensifying its mystery. These are prime examples of how Burton uses cinematic techniques to decide where he wants the audience to be looking at the mysterious and wonderful treats in this room. A high angle shot allows the audience to see all context and setting at the same time, it means that everything is shown all at once, the effect this has on the audience is that Tim Burton wanted to show the children how amazing the chocolate factory is and that not everything is what it is seems to be. In the picture the high angle shot allows the audience to see how big the boat is as well as the chocolate river around them, as well as the space around