It is also perhaps the perfect example of contrast in the set of preludes. The other twenty-three do not have many contrasts in the piece itself, rather, they contrast with other preludes of the set to create interesting musical effects. However, this prelude exhibits an enormous contrast, internally. The main theme in D-flat major is soft, gentle, and lasts for a short time. However, the middle section in C-sharp minor has a dark, dense, and dramatic theme that climaxes twice with many dramatic harmonies. This big contrast makes it different from the other
It is also perhaps the perfect example of contrast in the set of preludes. The other twenty-three do not have many contrasts in the piece itself, rather, they contrast with other preludes of the set to create interesting musical effects. However, this prelude exhibits an enormous contrast, internally. The main theme in D-flat major is soft, gentle, and lasts for a short time. However, the middle section in C-sharp minor has a dark, dense, and dramatic theme that climaxes twice with many dramatic harmonies. This big contrast makes it different from the other