Bildungsroman, or a coming of age story, brings these two prospects together, with the character’s emotional development effecting how the plot unfolds, usually written in the first-person perspective. Contrary to most coming of age novels, this particular story consists of the plot affecting the psyche of Bayard. When he is a young boy, Bayard shows signs of being uncontrollable, impulsive, and a show-boat. When he grows and experiences the world first-hand he learns that there is not a winning or a losing side, there is a middle ground. Finally, when Bayard is a man, he is responsible, calm but forceful, and no longer the impulsive boy that he once was.However, his spiritual maturity does not come to fruition until he has an honorable excuse to take revenge on his father’s murder and kill the man who did it. Instead of killing Redmond, the man who committed the murder, he walks into the duel alone and unarmed, ending the cycle of violence in his life. This growth in the character can only be realized by the reader if they experience the plot along with the protagonist, which is why the first-person perspective is so effective, but not only that, it is necessary to this type of
Bildungsroman, or a coming of age story, brings these two prospects together, with the character’s emotional development effecting how the plot unfolds, usually written in the first-person perspective. Contrary to most coming of age novels, this particular story consists of the plot affecting the psyche of Bayard. When he is a young boy, Bayard shows signs of being uncontrollable, impulsive, and a show-boat. When he grows and experiences the world first-hand he learns that there is not a winning or a losing side, there is a middle ground. Finally, when Bayard is a man, he is responsible, calm but forceful, and no longer the impulsive boy that he once was.However, his spiritual maturity does not come to fruition until he has an honorable excuse to take revenge on his father’s murder and kill the man who did it. Instead of killing Redmond, the man who committed the murder, he walks into the duel alone and unarmed, ending the cycle of violence in his life. This growth in the character can only be realized by the reader if they experience the plot along with the protagonist, which is why the first-person perspective is so effective, but not only that, it is necessary to this type of