This piece featured a saxophone solo utilizing a mute. The Lab Band often used mutes in the set, creating many lovely and gentle solos. The next song, also originally sung by Ella Fitzgerald, Lullaby of Birdland, featured a unique change in instrumentation. Chimes were added as a melody instrument, and it created a unique rendition of the standard. Lullaby of Birdland also featured the only drum solo in the set, as well as a trumpet solo, and a melodic saxophone solo. The arrangement, done by Mark Taylor, differed from the original as it was very inspired by Latin jazz. In addition the band played the Benny Carter ballad Who’s Blue which featured one of many unorthodox but well done trombone solos. The group's last piece, Shake It But Don’t Break It, featured a heavy swing beat and ended the entire set with a short piano solo before the brass blasted
This piece featured a saxophone solo utilizing a mute. The Lab Band often used mutes in the set, creating many lovely and gentle solos. The next song, also originally sung by Ella Fitzgerald, Lullaby of Birdland, featured a unique change in instrumentation. Chimes were added as a melody instrument, and it created a unique rendition of the standard. Lullaby of Birdland also featured the only drum solo in the set, as well as a trumpet solo, and a melodic saxophone solo. The arrangement, done by Mark Taylor, differed from the original as it was very inspired by Latin jazz. In addition the band played the Benny Carter ballad Who’s Blue which featured one of many unorthodox but well done trombone solos. The group's last piece, Shake It But Don’t Break It, featured a heavy swing beat and ended the entire set with a short piano solo before the brass blasted