Matta-Clark’s unmaking of the suburban house was meant play with the “psychic” power that buildings (homes) held over people. At the time of the artwork’s creations, the American suburb was still held as the dream or goal of many people. This was in part to the image of affluence and success that surrounded owning a home. It was also largely due to the sense of privacy of the suburbs. The idea of a closed off home meant for just you and your family, far from city, completely autonomous and secure, was tempting to many. The fact that it meant you were a success in other people’s eyes was also an appealing bonus (Lee 21-24). The suburban house was supposed to be fixed and unalterable spaces. The public’s view of these houses, as well as their affection for their homes and the powerful link between the two, would be the target of
Matta-Clark’s unmaking of the suburban house was meant play with the “psychic” power that buildings (homes) held over people. At the time of the artwork’s creations, the American suburb was still held as the dream or goal of many people. This was in part to the image of affluence and success that surrounded owning a home. It was also largely due to the sense of privacy of the suburbs. The idea of a closed off home meant for just you and your family, far from city, completely autonomous and secure, was tempting to many. The fact that it meant you were a success in other people’s eyes was also an appealing bonus (Lee 21-24). The suburban house was supposed to be fixed and unalterable spaces. The public’s view of these houses, as well as their affection for their homes and the powerful link between the two, would be the target of