He asked on June 19, 1484 to be a priest without being ordained in the church of Saint Aubin in the diocese of Berlin. He also became chaplain and member of the household of Cardinal Ascanio Sforza. He returned to Milan in January and February 1489, where he witnessed some of his works in the 1480’s seems to be reflected on the Milaness styles and practices. His motet-cycle Vultum tuum deprecabuntur seems to be based on motetti missales, or motets that are substitute for individual sections of the Mass. On June 1489, Josquin joined the papal chapel. The amount of time that he was there is unknown due to accounts from 1495 to 1500 are lost. What is known is that he took the time to pursue benefices like his other colleagues. He composed Domine, nonsecundum, a tract for Ash Wednesday set in polyphony. He also composed stanzas from the hymns Ave maris stella and Nardi Maria pistici, and may have created his Illibata Dei virgo nuix pistici around this time as
He asked on June 19, 1484 to be a priest without being ordained in the church of Saint Aubin in the diocese of Berlin. He also became chaplain and member of the household of Cardinal Ascanio Sforza. He returned to Milan in January and February 1489, where he witnessed some of his works in the 1480’s seems to be reflected on the Milaness styles and practices. His motet-cycle Vultum tuum deprecabuntur seems to be based on motetti missales, or motets that are substitute for individual sections of the Mass. On June 1489, Josquin joined the papal chapel. The amount of time that he was there is unknown due to accounts from 1495 to 1500 are lost. What is known is that he took the time to pursue benefices like his other colleagues. He composed Domine, nonsecundum, a tract for Ash Wednesday set in polyphony. He also composed stanzas from the hymns Ave maris stella and Nardi Maria pistici, and may have created his Illibata Dei virgo nuix pistici around this time as