Another literary device utilized are caesuras. For example, Hamlet says, “To be, or not to be, that is the question:” revealing Hamlet's disheveled thoughts. The use of punctuation accentuates the pauses between the words in resemblance to how Hamlet seems to come to a halt in his own thought process. This shows that Hamlet is almost chaotic in his thinking, unsure of where he is going, which is a crucial aspect of his character that leaves the audience questioning the veracity to his madness. Hamlet’s thinking is also obsessive, as communicated through the use of anaphoras. For instance, when Hamlet says, “To die, to sleep-” the repeated use of the word “to” expresses the chaotic state of Hamlet’s mind. The word itself is forceful, adding stress to the sentence, displaying how Hamlet’s thoughts are all-consuming. Hamlet himself is an obsessive character, an obsession that ranges from fanatic opinions about his mother’s sex life, to his concern with mortality. His compulsion toward mortality is also expressed through the extended metaphor between death and sleep: “To die, to
Another literary device utilized are caesuras. For example, Hamlet says, “To be, or not to be, that is the question:” revealing Hamlet's disheveled thoughts. The use of punctuation accentuates the pauses between the words in resemblance to how Hamlet seems to come to a halt in his own thought process. This shows that Hamlet is almost chaotic in his thinking, unsure of where he is going, which is a crucial aspect of his character that leaves the audience questioning the veracity to his madness. Hamlet’s thinking is also obsessive, as communicated through the use of anaphoras. For instance, when Hamlet says, “To die, to sleep-” the repeated use of the word “to” expresses the chaotic state of Hamlet’s mind. The word itself is forceful, adding stress to the sentence, displaying how Hamlet’s thoughts are all-consuming. Hamlet himself is an obsessive character, an obsession that ranges from fanatic opinions about his mother’s sex life, to his concern with mortality. His compulsion toward mortality is also expressed through the extended metaphor between death and sleep: “To die, to